Solo Projects, Sequel Offer Pleasant Mix Of Genres
Chromeo – ‘Head Over Heels’
THE GOOD: Canadian electro-funk duo Chromeo comes back with a slick, star-studded fifth.
THE BAD: Progression? Hardly. Reliability? Hell yes.
THE NITTY GRITTY: These guys have a formula and stick to it. Chromeo has always been big into synth-heavy retro funk — ’80s throwbacks recalling Prince’s Minneapolis heyday, Rick James and a dash of Michael Jackson for the mall crowd. (Remember when kids hung out at the mall?)
But is it all genuine? Does that matter? Once the beats, basslines and goofy lyrics grab you, it’s all about switching off the brain, shutting up and dancing. Sure, tracks such as “Bad Decision” and “Room Service” may be shallow, but they’re also a lot of fun. And this time, the guys have vocalists including French Montana, the Dream and DRAM join the party. Legendary producers Raphael Saadiq (’80s) and Rodney Jenkins (’90s) also lend a hand or, should I say, groove.
Don’t over-think these jams, and “Head Over Heels” totally works. Totally.
BUY IT?: Sure.
Mobley — ‘Fresh Lies, Volume 1’
THE GOOD: Austin, Texas singer/songwriter/producer Mobley unleashes an ambitious project via “Fresh Lies, Volume 1.”
THE BAD: Not really.
THE NITTY GRITTY: Notice the “Volume 1” in the title. Mobley describes the work NOT as an album but as part of an ongoing “song cycle.” “Fresh Lies” will continue for an indefinite amount of time as the man continues to explore the central theme of his relationship (and the relationship of his ancestors and family) with our country at large.
On “Volume 1,” Mobley uses romantic/relationship tropes to describe the bigger picture. Musically, it’s a tight mix of soul and the electronic, with cool, catchy jams riding seamless beats and basslines while synths and harmonies fill in the gaps above. All of it creates a rich tapestry of indie pop/rock.
Mobley walks that fine line between the mainstream and the underground while never sounding contrived. Recalling everything from Gnarls Barkley to Mark Ronson to TV on the Radio, the music pushes forward and leaves us craving future volumes.
BUY IT?: Why not?
Gruff Rhys — ‘Babelsberg’
THE GOOD: Welsh singer/songwriter and former Super Furry Animals (has the group actually broken up?) frontman Gruff Rhys returns with an incendiary fifth solo effort.
THE BAD: Nope.
THE NITTY GRITTY: The man has flirted with everything from straight indie rock to synth pop, his accomplished and fetching melodies shining through it all. “Babelsberg” continues that tradition, placing Rhys’ tunes in traditional pop/rock arrangements from circa 1969. There’s plenty of sweeping strings and regal horns among the tasteful guitars and steady, mid-tempo backbeats. Female back-up vocals add a graceful touch now and then, and opening cut “Frontier Man” even boasts a bit of Nashville country polish.
It all balances nicely against Rhys’ politically charged lyrics. The loose concept of “Babelsberg” is the man’s observations of a divided United States. Rhys peers from the outside and sees our “Drones in the City” and “Negative Vibes.” The messages sneak up from behind amid all the usual pleasantries. A cartoon Donald Trump even blends into the back cover artwork.
BUY IT?: I would.
Contact the writer: firstname.lastname@example.org