Naked Giants — ‘Sluff’
THE GOOD: Seattle indie rock trio Naked Giants goes big on its debut.
THE BAD: “Sluff” is accomplished but flawed.
THE NITTY GRITTY: When these guys are focused, the end result is airtight, with brash, guitar-based rockers such as “We’re Alone” and the plucky title track. The songs break wide open with a nervous energy and copious amounts of volume. There’s a sense of fun permeating a number of cuts and a hidden sophistication lurking just beneath the surface — a classic rock/punk mish-mash that actually works.
Too bad the band occasionally goes off on tangents. “TV” is messy prog rock; “Slow Dance 2” offers an unnecessary bout of the blues. “Shredded Again” feels like extended acoustic wanking. It would be cool if these different sounds brought on more than just a change of pace. But all too often, they end up as missteps outside the comfort zone of a developing young band. Although, “Sluff” still leaves you with the impression that things will only improve on future records.
BUY IT?: Maybe.
Nihilist Cheerleader — ‘Riot, Right?’
THE GOOD: Athens, Georgia, girl punks Nihilist Cheerleader bash out a ripping debut.
THE BAD: Nah.
THE NITTY GRITTY: Back in high school, I used to try to sneak out of mandatory pep rallies, but those teachers guarding the gymnasium doors were tough. “You’re gonna show your school spirit whether you like it or not!” Oh well. Whatever. Nevermind.
So I can definitely get behind the name Nihilist Cheerleader, although these women scream about more significant political and social issues as opposed to the “Friday Night Lights” nonsense I tried to escape in the late 1980s.
Musically, they offer a blistering mix of garage punk noise (“I’m Fine,” “Bleach Boy”) and slightly subdued and melodic indie rock (“Drenched In,” “& She Takes It”). Frontwoman Flynne Collins and her crew are equally adept at both extremes. The album is always fuzzed-out and noisy but never stuck on any particular mood for long. Get angry or thrash about for fun. It’s all good.
BUY IT?: Yeah.
Wax Idols — ‘Happy Ending’
THE GOOD: California goth rockers Wax Idols confronts mortality while moving forward on its fourth.
THE BAD: Nope.
THE NITTY GRITTY: Go all the way back to Siouxsie and the Banshees and you’ll find that goth bands usually progress slowly across albums, beginning in strident dark caves and eventually embracing at least SOME light. Their music tends to get bigger, more melodic and accessible in a good way. Wax Idols is following this very trajectory.
Thus far, “Happy Ending,” an album focusing on impending death and what comes after, is its most confident work. Frontwoman Hether Fortune is further developing as a commanding vocalist. The guitar work is bolder, the rhythm section more forceful. The record also displays the band’s ability to write compelling songs where dark overtones are only bolstered by the big pop melodies guiding them through the abyss. One hears echoes of everything from shoegaze to ’90s Britpop to post-punk. Dying rarely sounds this cool.
BUY IT?: Surely. And go for the limited-edition vinyl.
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